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The heart of the revolt. Tahrir Square, the heart of the Egyptian capital, is one of those boundless spaces and a little disturbing that often lead to big cities in growth, vast, without a clear and surrounded by the chaotic Cairo traffic, serves as the reverse of placid serenity that sailing can be achieved in a felucca on the Nile emerged after the dismantling of British Army barracks, the square lies beneath its surface, the, mortal gold, tingling of a major subway station and is surrounded by important buildings like the Museum of Antiquities Egypt, the Arab League headquarters, the Nile Hilton hotel or gruesome Mugamma, a Soviet air mammoth houses several government departments. The Mugamma is the symbol of the Egyptian bureaucracy, and interior design seems to be adapted to the Kafkaesque tone that falls, global agenda powerleveling, into any procedure performed on him, in his literary and cultural history of Cairo, the journalist Andrew Beattie picks up some of the legends of the property, as documents piled up in a yard light to reach the third floor or the alleged suicides of people who, desperate for the inability to complete a process, chose thrown from a window.